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Under the Terebinth

by Xerarch

supported by
Michael Denham
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Michael Denham You are ridiculously amazing! Favorite track: Under the Terebinth.
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1.
6:1-10 04:42
when it seems the end is near, and when the world is full of fear and there’s no hope when the people run and scream, before their idols bend their knees and pray for hope when the fields are set ablaze, and there’s nowhere for sheep to graze we run and hide for seven years this has gone on, and midian is just too strong for us to fight in a mountain cave we stay, and finally to God we pray to keep alive here a man approaches he’s screaming, he’s crazy he’s turning this disaster back on our own heads he’s claiming that he speaks for God
2.
down the blue mountain, in the evening moonlight was my homeward escort looking back, I saw my path lie in shadow I was passing the farmhouse of a friend when his children called from a gate of thorns and led me twining through jade bamboo where green vines caught and held my clothes and I was glad of this chance to rest and glad of this chance to drink with my friend we sang to the tune of the wind in the pines and we finished our songs as the stars went down between us we forgot the world
3.
Watermarks 04:54
this tim horton’s furniture is not very comfortable this conversation we’re having is not very comfortable you’re staring at watermarks in the ceiling tiles I’m staring at watermarks just above your hesitant smile and they’re making me smile you say that you’ve got no one, that you are alone you say that you’re suddenly scared that you’ll be left alone I’m keeping my mouth shut, there’s too much to say right now you need to be lifted up, to polish your beautiful crown not to throw it down you fell for the lie that you would be lonely forever tim horton’s fell quiet, just as I called you a liar I said, “I don’t believe it, somewhere someone’s waiting to meet you and most likely he won’t be perfect, but he will complete you” you’re out on your motorbike, one hundred and fifty cc’s you’re speeding down foreign roads on the coast of the andaman sea found friendlier faces, once further away from home you’ve discovered that no matter where you are, jess, you are never alone then you found your way home don’t ask yourself why these circles you’re running grow smaller ‘til the world neatly folds into nothing, and you feel like you’re falling and abbotsford days, or andaman nights make no difference geography is less important, than having him with you
4.
the night is still young but already the dark surrounds and I’m racing the moon to the horizon and steaming from my lungs my breathing comes in tiny clouds our winter is just o’er the horizon with headlights in my eyes and streetlights blocking stars from sight I push a bit harder on the pedals the wind begins to bite, I close my eyes and hold on tight and I push even harder on the pedals under the streetlights riding on my bike wondering what it would be like to be at home with you
5.
did not expect it to turn out the way that it did for such a simple field trip, for such a basic field trip three days ago the seismometer told me a lie it told me I was going to die, a fiery end I’d surely find as we got closer we saw a brown haze floating there the smell of tephra in the air, but oddly I was never scared and news reporters questioning everyone live from the foot of mount st. helens couldn’t believe what a frightening specter we’d found what started as a little cloud, grew on and up without a sound I saw volcanic ash blacken the once bright blue sky and mountains grew before my eyes a mountain grew before my eyes take two steps forward breathe it in ignore the danger, it’s a whim just lose yourself in all of this my power is so much greater
6.
we met at a fire while my house was burning down all our friends were gathered ‘round the flames were higher than all the dreams that I had found that now lay smouldering on the ground and oh my God, I can’t believe my eyes we talked about pirates as they sailed down the marsh while your dog stood by and barked then suddenly silent so that the ninjas in the car couldn’t follow us too far and I on my moped over the miles in the rain, frozen fingers, frozen face, coming over to your place and when the door opened you had put the kettle on and the tea was getting warm and we slowly made it a home oh my God, I can’t believe my eyes this is much too good to be true the way this all turned out so perfectly proves it was neither me nor you painted with pictures of dreadlocks and roses (I had given up when I met you) smiles and freckles and coffee and wine (but you picked me up and I bet you knew) the hands of an artist that doodle on class notes (that my starting point was the ending) and eyes that light up when they’re looking at mine (and I felt my trajectory bending too) the sense of adventure that keeps you dynamic (through thicker storms we have weathered) the way that you jump when you see pretty things (and we’ll weather more if we stay tethered to) I’m thanking my God for my beautiful wife (something bigger than the storm descending) ‘cause you gave me new life and a reason to sing (and we’ll feel our trajectory bending too) and I’ve never known anyone better than you and I’ll never know anyone better than you
7.
daily mindless wanderings through the busy city streets walking to the market or maybe maybe one day I’ll return to jing-joks and tuk-tuks the rain has finished falling the road before me calling through sugar cane and palm trees on pedals maybe one day I’ll return to fruit stands in siam all these wonders, waiting there of tuk-kaes and tuk-tuks the endless sunshine makes me happy it’s a bio-chemical reaction and I’m just a leaf on a tree undergoing photosynthesis
8.
while pining for sunshine, the mourning brings rain there hiding in corners ‘til morning again I pass the long night hardly sleeping at all I hide behind doors listening for morning’s call but all I can hear through my weak barricade are the dark things outside and the noises they make I’ve tried everything, hum a tune, plug my ears but what I can’t hear only adds to my fears the dark like a blindness, the rain like a drum that’s beating to keep all the patriots numb I can’t feel my hands and I can’t hear my heart the fear of the moment grows on in the dark I fumble with matches, I strain for the light oh something please something to put out the night but hands finding nothing return to my chest and folded there trembling they long for some rest sometimes it takes darkness to see clearly no it’s better to know to be sure of what’s there so I peer through a crack ‘tween the blinds as I dare there’s a man out there standing there meeting my stare and he stands resolute with an angelic air now he beckons me out now I open the door now I’m scared but I have no control any more now I walk out to him, now I fall to my knees now he opens his mouth and he’s starting to speak (he says,) "it’s not in your pain or the way that you run it’s not in your tears for the things that you’ve done or the times you were wrong you are an elm in october, you’re still standing strong though your heart turns to fear as your leaves turn to brown and falling to the ground it’s nothing you’ve done, it’s nothing you’ll do for ten-thousand years I’ve been following you and I’m still after you my brush strikes the canvas and colours appear your heart and your hands, your smiles and tears are perfectly clear they are perfectly clear"
9.
I wanted out of this terrible fight I can’t believe that he gave me no choice now it’s too late and we’re all going to die he’ll kill us all with the sound of his voice pictures with sounds playing over again delicate vein spreading out on the leaves waking me up with its volume and then thundering silence is all I perceive the sound of the wind in the trees is reminding me of the footsteps of an army I could have sworn I’ve seen this in a movie somewhere long ago, in the future and the clinking of that tent spike that somehow came unearthed, could it be the rattle of swords and sinister work, about to be unleashed on you and me, could it be? the rattle of a sword, could it be? the rabble of the lord, could it be they’re descending? delicate fixtures and load bearing sides miles of thorns passing under my feet bones made of glass that have shattered inside we travel on ‘til we suffer defeat one has a vision he shares with the next everyone sleeps in the frailty of night falling like thunder it fractured our tent pierced by his blade, feel it writhing inside do you see the lights in the trees can you hear the humming of bees is gideon seen again on his knees hearing those voices again on the breeze haven’t you heard that this is our last stand what is it that he holds there in his hand though we have numbers like oceans of sand the lights in the trees spill our blood on the land this picture I painted of how it would end shows a thickly wrought cord wrapped around our frail necks and the children of Judah are holding it fast it all makes sense at last oh isn’t life great oh isn’t life terrible and great now look to the grave we’ve given to death what we wanted to save
10.
six months in and I’m starting to fade you told me you’d find me a beautiful day and I followed blindly just as I was told but never knew beauty so quickly grew old and it’s hard to be so far away from you and it’s hard for me to walk the way that you do the stars are less frequently giving off light the moon does its best to stay hidden from night the people packed tighter, they’re closing in fast and I suddenly feel like I’m doomed to collapse walking streets with blinders on I cast a glance but quickly turn I’d rather sing a different song to keep myself from getting hurt I’m longing for beaches and mountains so high I’m longing for sundays and crystal clear skies I’m longing for family and friends and a home I’m longing for moments of being alone but it’s hard to be so far away from you and it’s hard for me to walk the way that you do I’m longing for something familiar to hold I’m longing for silver and longing for gold I’m longing for things that I feel I’ve lost but longing is paying a terrible cost here is where trumpets and voices resound here is where foolish men run to their homes here is where idols lay smashed on the ground here is where flesh wraps itself around bones here is where 300 tastes like 10,000 here is where 300 swords find their mark here is the sound of the thundering heavens and here the clouds open with force in the dark now that it’s over I’m walking back home the streetlights are brighter the burden is light the way feels shorter, I walk not alone I hear only traffic far off in the night here is the future but here is the past I need to hold on to this tight with both hands here is the feeling I need to make last here is where home is, I’ll stay in this land the magnitude, the scope of this the power here, there’s hope in this and midian is left to rot it’s probably good that we trusted God

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released October 18, 2013

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Xerarch Langley, British Columbia

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